Visualizing Shakespearean Plots as Interactive Networks. The Early Modern Theater as Collaborative Network. Visualizing Linguistic Variation with LATtice. Plotting Genre in Early Modern Drama.

If in all ideology men and their circumstances appear upside-down as in a. This phenomenon arises just as much from their historical life-process as the inversion of objects on the retina does from their physical life-process. Monday, August 23, 2010. Eliot re-imagines the scenes of Victorian comfort with an eye to their potential for surreality and ambivalence. The speaker experiences himself at an ironic distance from his world, unworthy to touch i.

This is the most self-serving of posts. This week, the new third edition. Of the Norton Shakespeare finally came out.

Dr Katrina Navickas, University of Hertfordshire History Module outlines. Study guide and essential tips. Panel and assessed seminar discussion. Peace, Power, Prosperity. Reading lists and full bibliography. Timeline and more useful info. Dr Katrina Navickas, History module outlines. Click here to read the study guide and essential tips. Postgraduate History research training programme.

The Stanford Literary Lab is a research collective that applies computational criticism, in all its forms, to the study of literature. The Lab is open to students and faculty at Stanford, and, on a more ad hoc basis, to those from other institutions. Our projects range from dissertation chapters to individual and group publications, lectures, courses, panels, and conferences. Typically, our research takes the form of an experiment that is then published in our Pamphlet.

Monday, January 19, 2015. State of the Union- and corpus comparison. The first part is an interactive map with every place name. Then we got two great historians of American foreign policy, Dael Norwood and Gretchen Heefner, to explain some of the things in the maps.

University of Maryland, College Park. Focus on early modern literature, media theory and music. I am currently writin g a book about literature, song and mediation. From Shakespeare and Sidney to Jonson and Milton.

POOR MISS FINCH by Wilkie Collins. In this case, Lucilla is once again not the evidence-gatherer, but the provider of evidence for.